No apologies for all the soulless violence. And yet, when he must kill, he simply kills. For, playing a terrorist who does the tightrope between love and a rogue nuclear bomb has all the potential of an ill-timed explosion.īut Aamir displays a normalcy that is chilling - yes, you can almost fall in love with the terrorist who masquerades as the friendly neighbourhood guide. ![]() Undoubtedly, this was a difficult role and the possibilities of getting it wrong were immense. ![]() In Fanaa, he scales the ladder some more and almost creates an actor's manual for impeccable acting. It borders so heavily on reality that you almost begin to believe Aamir's characterisations are actually flesh and blood rather than figments of imagination.Ĭase in point: the diehard cop in Sarfarosh, the tapori in Rangeela, the harried father in Akele Hum Akele Tum, the new age yuppie in Dil Chahta Hai, the kisan in Lagaan, the Punjabi patriot in Rang De Basanti. Over the years, we have seen the actor trying to perfect a style of acting which leaves no room for hamming. Simply because Fanaa is a film that showcases Aamir as never before. ![]() Forget the controversies surrounding the film: Gujarat's ban, Aamir's 'no' to an apology, the height of the Narmada Dam, the rehabilitation of the farmers, the communal violence in Vadodara.Fanaa just wasn't meant to be a part of this meaningless imbroglio.
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